The googly is similar in principle to the doosra, the ball from an off-spinner that turns the opposite way from his stock ball. This delivery turns away from a right-handed batsman, like a leg break or left-arm orthodox spinner. Left-arm unorthodox spinners can bowl with the googly action using the left arm. It is used infrequently, because its effectiveness comes mostly from its surprise value. The googly is a major weapon in the arsenal of a leg spin bowler, and can be one of the bowler's most effective most important wicket-taking balls. This means the ball can either strike the pads for a potential leg before wicket (lbw) appeal, or may fly between the bat and the pads and hit the wicket, or catch the edge of the bat. If the batsman is expecting a leg break, he will play outside the line of the ball after it spins. Less skilled batsmen, or ones who have lost their concentration, can be deceived completely, expecting the ball to move one direction off the pitch, only for it to move the other direction. The change of wrist action can be seen by a skilled batsman and the change of spin allowed for when playing a shot at the ball. A googly may also be achieved by bowling the ball as a conventional leg break, but spinning the ball further with the fingers just before it is released. When the ball rolls out of the hand (from the side near the little finger, as in a normal leg break), it emerges with clockwise spin (from the bowler's point of view).
The bowler achieves this change of spin by bending the wrist sharply from the normal leg break delivery position. While a normal leg break spins from the leg to the off side, away from a right-handed batsman, a googly spins the other side, from off to leg, into a right-handed batsman (and is distinct from an off break delivery). Apart from the above missing links, the film passes as an enjoyable family entertainer.Reggie Schwarz, known for using the googly as his stock delivery However, it seems the director misses to explain the link between the honor killing scene to the rest of the story, and, the scene where Kaveri asks her friend about Raja Huli, although it is later shown that they both knew each other before. Cinematography by Vishnuvardhan captures beautiful scenery around and the director Guru Deshapande manages to present an entertainment filled festival present. Charan Raj comes back with a gentlemanly supporting role and the rest of the actors come out naturally. Yash has definitely excelled with his acting as Raja Huli and Meghana Raj looks nice as a bubbly village girl, Kaveri. Dialogues are timed well with a Mandya twang. Mass audience will love the soundtrack by Hamsalekha. The second half is where it gets much interesting. Story by Prabhakaran is good, with the first half feeling a little dragged. All of it plays a prominent role in the way the film progresses, and greets you with more twists. Raja Huli is a man of word when it comes to helping friends. The romantic part apart, equally mentionable is the friendship side of Raja Huli. While in Kaveri's family, pressure mounts for her marriage with her brother-in-law's younger brother, Jagga. Things take a dramatic twist with a freak accident resulting in the death of Cheluva, who also has a crush on Kaveri, for which Raja Huli gets arrested.
#GOOGLY MOVIE SCENE FULL#
The story carries on with humorous sequences and four songs, with Chikkanna bagging full marks for his comic timing. The first half surfs away in the Panchalingeshwara bus in which mostly college students travel, with Raja Huli trying to hitch his friend who has a crush on Kaveri (Meghana Raj). He has a dedicated friend circle around him, and still playfully flirts with his cousin, who is married with a kid. Raja Huli (Yash) is the son of a rich landlord played by Charan Raj, and has a local fan base and a reputation to beat up petty troublemakers.
The intro ends with a note on honor killing, which bogged the town a few days ago. Also describing their generosity in sharing water, it slightly touches upon the contemporary Kaveri issue. Raja Huli begins with an introduction to the Mandya culture shedding light on its agricultural aspects to its film fanatic crowd worshiping their favorite heroes on screen. Stated as a remake of the Tamil movie Sundarapandian, Raja Huli is an adaptation to the Mandya region of Karnataka. Released on Kannada Rajyotsava, Raja Huli has entered the big screens and started to make noise into the second week.
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